Monday, October 18, 2010

American Bandstand and The Buddy Deane Show


American Bandstand was an American musical variety show that aired in various versions from 1952 to 1989, hosted from 1957 until its final season by Dick Clark, who also served as producer. The show featured teenagers dancing to Top 40-type music introduced by Clark; at least one popular musical act—over the decades, running the gamut from Jerry Lee Lewis to Run DMC—would usually appear in-person to lip-sync one of their latest singles.

The Corny Collins Show is a fairly direct parody of American Bandstand and The Buddy Deane Show. The Buddy Deane Show was a teenage dance music show that ran in Baltimore from 1957-1964, and was taken off the air because the local station WJZ could not integrate black and white dancers.

Winston "Buddy" Deane was a broadcaster for more than fifty years, beginning his career in Little Rock, Arkansas, then moving to the Memphis, Tennessee market before moving onto Baltimore where he worked at WITH-AM radio. He was one of the first disc jockeys in the area to regularly feature rock-and-roll. His dance party television show debuted in 1957 and was, for a time, the most popular local show in the United States. It aired for two and a half hours a day, six days a week.

The core group of teenagers who appeared on the show every day were known as the "Committee." These kids developed a huge following of fans and hangers-on in Baltimore who emulated their dance moves, followed their life stories, and copied their look. Several marriages resulted from liaisons between Committee Members. In fact, the blog http://bdcommittee.blogspot.com/ is an active site for Committee Members to stay in touch.

Many top acts of the day, both black and white, appeared on the show. Acts that appeared on The Buddy Deane Show first were reportedly barred from appearing on Dick Clark's American Bandstand. If they were on Bandstand first, however, they could still be on The Buddy Deane Show. Although WJZ-TV, owned by Westinghouse Broadcasting (now CBS), was an ABC affiliate, the station "blacked out" the network broadcast of American Bandstand in Baltimore and broadcast the Deane program instead, reportedly because Bandstand showed black teenagers dancing on the show (although black and white teenagers were not allowed to dance together). The Deane program set aside every other Friday when the show featured only black teenagers (the rest of the time, the show's participants were all white).

The racial integration of a take-off of the show, dubbed the The Corny Collins Show, provides the backdrop to the 1988 John Waters movie Hairspray starring Divine and Ricki Lake, the Broadway musical Hairspray starring Harvey Fierstein and Marissa Jaret Winokur, and the 2007 movie Hairspray featuring John Travolta and Nikki Blonsky. Although he never appeared on Deane's show himself, Waters attended high school with a "Buddy Deaner." HAIRSPRAY makes one significant departure from the real show: Mr. Deane's show was not successfully integrated after a stirring civil-rights struggle. Unlike the hard-line segregationists depicted in the show, WJZ-TV's managers wanted the show to integrate. But white Baltimore wasn't ready. "The management of the station did not realize that Baltimore was very much a Southern-oriented city," Mr. Deane said in a 2002 interview with The Associated Press. He said they "asked each member of the show's committee of regular dancers what they thought about integration, and they said, 'Well, it's O.K. with me, but my folks won't be happy.' That was the general consensus."
The video linked here is the original "Madison" on the Buddy Deane Show.



SOURCES
http://www.ultimateoldiesradio.com/djpage.cfm?djID=1&name=Buddy+Deane
http://en.wikipedia.org/wiki/Buddy_Deane_Show
http://en.wikipedia.org/wiki/American_Bandstand
http://bdcommittee.blogspot.com/
http://www.nytimes.com/2003/07/27/nyregion/buddy-deane-78-tv-host-and-inspiration-of-hairspray.html

Allen Funt and Candid Camera

LOCATION
Act 1, Scene 3, p. 28 "Miss Baltimore Crabs"

REFERENCE
Velma: "Wait, are we on Candid Camera? OK, where is Allen Funt?"

Candid Camera is a hidden camera television series created and produced by Allen Funt, which initially began on radio as Candid Microphone June 28, 1947. After a series of theatrical film shorts, also titled Candid Microphone, Funt's concept came to television on August 10, 1948. The premise of the show involved concealed cameras filming ordinary people being confronted with unusual situations, sometimes involving trick props, such as a desk with drawers that pop open when one is closed or a car with a hidden extra gas tank. When the joke was revealed, victims would be told the show's catch phrase, "Smile, you're on Candid Camera." With humor based on putting real people in fabricated situations, the show was a precursor to the more recent wave of prank shows such as Punk'd, Girls Behaving Badly, Just For Laughs Gags, The Jamie Kennedy Experiment, Boiling Points, Trigger Happy TV, and Howie Do It.

SOURCES

Aida

LOCATION: Act I, Scene 3, p.28 "Miss Baltimore Crabs"
REFERENCE: Velma: "Cause I hit the stage batons ablaze while singing 'Aida' and preparing cheese souffles!"
Aida, (an Arabic female name meaning "visitor" or "returning") is an opera in four acts by Giuseppe Verdi.

Aida, an Ethiopian princess, is captured and brought into slavery in Egypt. A military commander, Radames, struggles to choose between his love for her and his loyalty to the Pharaoh. To complicate the story further, Radames is loved by the Pharaoh's daughter Amneris, although he does not return her feelings. The subtle joke here is that Mrs. Velma "White is Right" Von Tussle sang an aria written for an Ethiopian (black) character.

SOURCES:
http://en.wikipedia.org/wiki/Aida

45s

LOCATION
Act I, Scene 3, p. 27
REFERENCE
Tracy: "Well, I brought my own 45s, so if you put 'em on, I'll show you my stuff!"


45s are a type of vinyl record. 45 refers to rotations per minute. 45s were typically 7 inches in diameter with a large center hole. They were typically singles, with one song per side. The large hole is for use in a multiplayer machine, where the records would automatically drop down after each song. In the 1950s and in the early 1960s (before the Beatles) teenagers like Tracy collected 45s like crazy. They bought the songs they heard on the radio because of the song, not necessarily the artist. Every record company issued LPs (long-playing records) by their most popular teen artists (e.g. Crystals, Frankie Ford, Bill Haley, Isley Brothers, etc.) in the 1950s and 1960s even if they didn't sell well at the time. 45s were great for a dancer like Tracy who might want to listen to the same song over and over again to get a move right.












SOURCES

http://en.wikipedia.org/wiki/Gramophone_record
http://www.gocontinental.com/pgde.htm